After what seems like a long time, we get to our main title matches, and, in theory, the main plotlines of Smackdown and Raw. Unfortunately for the case of Smackdown, there’s something of a shortcoming in the plot department. Our match for the WWE Championship is a Triple Threat between current World Heavyweight Champion Edge, John Cena, and the Big Show. Now, looking at those three names and realizing that they’re three of the biggest stars in the WWE, you might be wondering how this could possibly be that short on story. Well, the answer is actually right there: it’s the three biggest stars in the WWE, and they had to find a way to work them into Wrestlemania, and had to do it quick. So rather than work with plot and actual audience investment, they just threw the three together in a haphazard story and hoped that the star value would make everyone overlook it.
It’s odd that things fall a bit flat, because the plot more or less starts the year before, after Edge gets sent to Hell by the Undertaker (I really need to write a blog discussing that plot…) and Vickie Guerrero is high and dry in the protection department (remember, Vickie is married to Edge at this moment in time). So, she hires the Big Show to more or less be her body guard, until Edge magically reappears (it’s never explained how) to steal the WWE Championship from Triple H, which leads into his feud with Jeff Hardy, etc. All this time, Edge has something of a rivalry with Show, whom he thinks is abusing Vickie’s power as GM (and only Edge may do that!). This character development ties in with the Elimination Chamber and how Edge and Show are taunting one another in the match. Well, of course, Edge loses the WWE Championship, but wins the World Heavyweight Championship in the second Chamber match after pinning Cena. So, in theory, both Show and Cena have legitimate reasons to be upset with Edge. The problem is, as the plot pans out, it’s really just not done that well.
What happens is that it looks like Edge and Big Show are gearing to have a title match… but not because they dislike each other, or that their rivalry is developed on. Rather, they get a match together because Vickie is more or less trying to steal from Peter to pay Paul, and thus gives both of her main men what they want at Wrestlemania. Now, this is a decent means to an end, but the drama here isn’t from the two men involved in the match. It’s from Vickie, and how she’s trying to win either way. This is one of those examples where the extra involvement from a non-wrestler might work in general storyline format, but it detracts from the match itself, because this is not coming about because these men are looking to defeat one another, but because a more or less separate party is making them fight, and thus the emotions are more about doing their jobs than being personal. Things aren’t helped much by the fact that prior to the twist with Cena, Show insists it’s mostly business related, and Edge agrees, so that the apathy of the people involved grows.
The inclusion of Cena only makes the story seem more last minute, confused, and as if someone in the booking department realized, “Oh, heck, we’re going into Wrestlemania and we don’t have Cena. Uh, where do we stick him?” What happens is that Cena hints the episode prior to the official contract signing to make the Edge vs. Big Show match legit that he knows a certain secret of Vickie’s that he will reveal if she does not include him in the match. Now, I know that Cena has always been at least a little grey in spite of his ultimate good guy label, but I’m not really a big fan of him blackmailing his way into a title match. I can’t remember if they played with his rematch clause or not, but really, he could have just used that to get his rematch for his title at Wrestlemania, and there you go. Not to mention that any goodness he had here is negated entirely, as after Vickie does put him in the match, Cena winds up revealing the big secret any ways: Vickie’s been secretly seeing Big Show in a romantic fashion, and the two are cheating on Edge.
The idea that Edge is jealous of Vickie cheating on him doesn’t remotely work, because not only had Edge blatantly married Vickie for the sole purpose of abusing her power, but has also cheated on her prior with Alica Fox (man, remember when Alicia was a wedding planner? How time flies…), and thus isn’t likely to be that incensed that Vickie has been smooching Show. Also, it really does just come off as a weak attempt to insert some drama to make up for the fact that there’s not really a storyline otherwise. Also, it doesn’t really help anyone involved: Edge isn’t likely to be that angry about it, Cena comes off as kind of a jerk, and Big Show is given some baggage which, after this match is over, he can’t really work with to develop.
At any rate, on to the match itself. We actually start off with Chavo wheeling Vickie out to the ringside, which obviously forebodes she will play a part. Now, I’m not wholly against third party involvement in matches, especially if it can play into the plot like with Shawn Michaels vs. JBL, but here, with the plot being meagre at best, I feel that not only is Vickie’s presence not really necessary, but takes away from just letting the three wrestlers work. Edge enters first to his usual firework explosion, and damn, I miss Edge. Big Show enters next, and looks sombre. Again, the Vickie involvement here hurts rather than helps, because the two heels here are focused half on her, half on the match. I’d prefer fully on the match, as it makes the fight itself more focused in what it’s trying to accomplish: is it about the title, or the woman? And, of course, the moment we all really look forward to at Wrestlemania: Cena’s entrance, which are always fun. This year, a small army of Cena lookalikes come out and line the ramp, doing the You Can’t See Me wave as John himself runs down the aisle. I still think it’s the coolest of Cena’s entrances. Not to mention that Cena pumps some life into things, and helps remind us that there is a title at stake, and that he’s eager to go for it. I’m a Big Show fan, but he just doesn’t look that pumped for his title match here, and even Edge is a little less insane than usual.
The bell rings, and just as his energy would suggest, Cena comes out swinging at both men. This only goes so far, as he tries to shoulder tackle Show… and falls over. With Cena prostrate, Edge does what Edge does best, and tries to talk Show into an alliance to beat up Cena. Show, of course, isn’t to thrilled about this, and knocks Edge around. I always love when Edge tries shenigans, only to have them blow up in his face. So Big Show is in control here, and while Edge rolls out of the ring, Show proceeds to lay a beat down on Cena. This isn’t the best way to start the match: beat downs don’t really get the crowd into things, and while I like Big Show, he’s definitely a bit slow here. Also, it’s not utilizing the maximum man power. Things get better after Cena pushes Show out of the ring. Edge kicks the ring steps into Big Show’s leg, and then Cena hits the leg drop from the turnbuckle to the outside. These things are always better when the three men are working together to get a spot. Unfortunately, they go back to where they started, only this time with Edge attacking a prone Cena. To reiterate, the reason beatdowns are dull is because there’s not really any action going on: it’s just one person hitting their moves on a sand bag. No tension, because you know there’s not going to be a counter, and your only using one half of your manpower potential.
However, in fairness, at least the match keeps the beatdowns short, as no sooner does Cena manage to dispose of Edge than he is attacked by Show. Cena finally stops being a punching bag and gets some shots in to Show, eventually tying him in the ring ropes, and then proceeding to attack Edge while Show watches helplessly. I think this is the first time the three men have been in the ring together since the beginning. I should say, at least the momentum is swinging, and each man is getting some time to be on top, but again, their time at the top is a bit lackluster, because the fighting has been more along the lines of each man getting their turn at laying a beatdown rather than earning the top spot by fighting and working for it. Edge accidentally Spears Vickie, who was trying to interfere, so at least her presence was cut short and didn’t take over the whole of the match.
Both Cena and Edge have tuckered out, so it’s time for the Big Show to re-enter the match. Thankfully, he takes advantage of everyone being in the ring, and proceeds to toss both of them around. Show seems more energetic all of a sudden, and turns up the action a bit by assaulting both men in turn, tossing the pair of them into the same turnbuckle, and then sandwiching them both with a running tackle. It’s the first move since the earlier leg drop that used all three men in the match. He Chokeslams Edge, KO’s Cena, but his efforts are stilted as both men wind up tumbling out of the ring. I’m not a big fan of using finishers before the climax, but given the rather methodical pace of things before, you needed some oomph. Speaking of oomph, Show follows Edge to the ringside and tries to Chokeslam him again, but Edge counters into a DDT (again, this is the first time we’ve had a really devastating counter, which gives you an idea of how things have been going), and then takes advantage of this by Spearing Big Show through the barricades. It’s a pretty good moment, as breaking walls is always fun, though we do return to the problem of eliminating one man, and then returning to more or less a one on one match, which is a bit disheartening.
Edge staggers back and drags Cena back into the ring, tries to pin him, but only gets the two count. He then tries to use the Spear, but Cena trips him with a toe hold and then locks him in the STF. I really hate to rag on Cena, because I do consider myself a fan, but the best way to get this match going was definitely not to go for the submission hold. I need more fighting, not more inaction. Big Show returns to break the hold and drag Cena out, and we return once again to a one on one match. I should be fair, though, and say that at least this shift change is quick in execution, so even though there’s not really a ton going on in the ring, it doesn’t feel as methodical as it might otherwise. Big Show threatens a Bonzaie Drop, but misses, and we finally get another true Triple Threat move as both Cena and Edge unite their powers to suplex the Big Show, and then combine again to clothesline him out of the ring. Of course, Edge is Edge, and instantly betrays Cena by kicking him in the head. They fight (actually fight) for a bit, and Cena attempts a leg drop from the turnbuckle, but Show pushes him off, and Edge Spears him in mid air. Before Edge can get the pin, Show drags him off. At this point, the pacing is much better, as we’re not just watching two guys fight while another stays outside, but the powers of all three being constantly used in the match to further the action.
Edge locks a sleeper on Big Show, but Cena comes back to lift the combined weight of both men on his shoulders. I don’t care if you like Cena or not, that’s darned impressive. Edge slinks off, but Cena hits the Attitude Adjustment to Show, and then does the same to Edge. He then pins Big Show, and wins the match, becoming the World Heavyweight Championship. I have a couple problems with this finish: it’s not really built up to, to the point where the AA really caps off a moment of great tension. It comes off after a sleeper, and that really doesn’t amp up the excitement in general, and with Show sort of just tumbling into the move. Also, though this is a bit nitpicky, the second AA to Edge does not have the same impact, either literally or figuratively, as it did with Big Show. The surprise and pop from the crowd came when Cena lifted up the Big Show, and that’s where it should have ended. Taking care of Edge afterwards almost felt like a delay of sorts, rather than being snappy, and doesn’t have the same climactic emphasis as dropping Show. I think it would have been better had Show eliminated Edge prior, and then had Cena take out Show, just to make things a little tidier narrative wise.
That was our World Heavyweight Championship match, and although I might have seen generally negative in my review, I honestly don’t think it was totally bad. Though the lack of back and forth fighting and use of all three men at the same time irritated me, the match did the right thing in keeping this one-on-one segments short and sweet, and kept the momentum going by changing the focus rapidly and giving the impression of movement. Also, though Vickie’s presence may not have been necessary at all, it was at least kept to a minimum. But you still can’t hide the fact that a good portion of the match was just beatdowns and stomping with little countering or putting up a good fight. It should also be noted that this match is really, really short: I doubt it’s much more than ten minutes long, which I think factored in to why the trio aren’t able to work to the best of their ability and have a really good bout. Essentially, they have enough time to get in their signature moves, and not much else, which leads to all of the cons I’ve mentioned prior.
And now, our main event for Wrestlemania 25: Randy Orton vs. Triple H for the WWE Championship. This is going to be one of the few times I use the words “compelling” and “Orton” in a positive relationship to one another. This is one of the better attempts at creating a fleshed out story arc that the WWE has attempted for a while, with rising action and extended tension to make the outcome of events exciting and interesting. What makes it truly work, though, is that the whole thing starts not just at the Royal Rumble, but further back in history, and I’m always excited when wrestling pays attention to its own canon. Way back in 2004, there was the faction of Evolution, starring Triple H, Ric Flair, Batista, and Randy Orton. Orton was the youngest of the lot, and was something of Hunter’s protégé. Orton winds up winning the WWE Championship, thus the youngest champion in history, but rather than embrace his youthful ward, Hunter is consumed with his own greed and lays a beating on Randy, kicking him out of Evolution, and eventually takes the WWE Championship back. I love that you can kind of trace Orton’s eventual insanity to this point. Prior, he’s just cocky, but he slowly becomes more and more angry and obsessed with taking out Triple H.
The part where I think this motivation stumbles is in the execution of Orton’s revenge. During the final build-up to Wrestlemania, they try and pass off Orton’s attacks on the McMahon’s as a well thought out plan in order to get back at Triple H, but really, he kind of seems to stumble into this sequence of events. He didn’t know that Vince was going to be there the show before Raw, he didn’t know that Shane was going to return. Things just kind of worked in his advantage. At any rate, at least his final effort on the McMahon’s can be passed off as cunning, with him finally hitting Stephanie with an RKO the night after No Way Out. Triple H, naturally, is none too happy with Randy assaulting his wife, and the idea that Orton has finally hurt Triple H the same way Hunter hurt Orton really is a good idea. This then leads to a compelling final build-up, with both men trying to get under each other’s skin, an effort which is made more interesting thanks to the previously mentioned backstory. Highlights include Triple H chasing Legacy around the backstage with a sledgehammer, to which Orton replies in the next episode by hand-cuffing Trips to the ringpost and threatening to smash the signature sledgehammer over unless Stephanie (now acting GM of Raw) to come out and save him. Stephanie does so, but of course walks into a trap, where Orton winds up DDTing her, and then kissing her unconscious body while Hunter is forced to watch. It’s a bit creepy, but you know that he’s doing it to piss of Triple H, and it really works. To this, Hunter responds by breaking into Orton’s house and throwing him out of a window. And people thought that going PG meant nothing interesting would happen!
Actually getting to the title match is a bit sloppy, though. After the assault in his house, Orton says that he’s going to have Triple H arrested. Hunter then comes out and, oddly, rubs it in Orton’s face that he betrayed him all those years ago. Uh, Trips? You’re supposed to be the good guy, here. Reminding the audience that you used to be evil, never mind sounding like you’re bragging about it, kind of defeats things. Hunter exposits about how Orton must really want to kill him, and goads him into using the Royal Rumble title shot against Triple H for the WWE Championship at Wrestlemania. What I don’t get here is why on earth Orton would need convincing, given that this is clearly what he wanted in the first place, or why Triple H is the one bringing it to his attention. At any rate, we finally have our main event match for Wrestlemania 25, and as I said before, the story was mostly compelling, fleshed out over a number of months, played with canon and characters, had a good build that added something new every week, and allowed Orton’s one talent (being angry) to actually make a story better.
Prior to the match, we see Triple H backstage, walking to the ring, when he runs into Shane and Vince. They have a silent stare down, a brief nod, and Hunter goes on his way. It’s a quick little thing, but I think it adds a good deal of depth to things. When you consider how often the three of these men have tried to kill one another, the idea that they’re on the same page for the purpose of defeating Orton is given more resonance.
Before the entrances, we’re reminded that if Triple H is disqualified, he will lose the WWE Championship regardless. The idea behind the implementing of this rule is that Hunter cannot completely lose his temper and actually maim Orton: he has to fight within the rules and beat this man fair and square, no matter how much he hates him. It’s a good stipulation, as it makes count-outs seem more threatening, and gives multiple potential endings , thus making the events in the match have more weight. After the announcement, Orton comes down the ramp, and as per usual, looks disinterested. I really hate how great storylines are wasted on people who can’t work with them. You’re about to realize your dreams on the greatest stage of them all, Randy! How about some excitement, or emotion, or anything other than impersonating a block of wood? Triple H’s entrance is snazzier, starting with a backstage cam of him looking at his reflection in a pane of glass, then tossing his hammer into it, shattering the glass in front of the stage. Now, it’s a bit more elaborate than a man who should be all about the anger should have, but given that Orton gave us nothing to work with, I’ll take the theatrics.
The match starts, and for two men who spent the better part of a month trying to maim one another, they really don’t seem too eager to fight, with a good thirty second stare down. Trips finally remembers that he’s supposed to be angry, and tackles Orton to the ground with a headlock and punches. He then proceeds to beat up on Orton, which has a couple benefits. First, Orton does a good job of cowering: Orton used to be very, very good at selling moves before the horrible accident which turned him into a turnip, as well as being something of a cowardly heel, and you get to see those roots shine here. Second, Trips is warned by the ref that he has to let up, or he’ll be disqualified, letting us know early on that Hunter is going to have to watch himself. But then, something odd happens: Orton RKOs Triple H, less than a minute in. I’ve said before that I don’t care for finishers coming out before I can actually believe it might be the end of the match, and not only does this apply here, but I just don’t get why. Why wouldn’t you use another move? A punch, or a suplex, or something? Why use the finisher when it clearly is not going to do anything? It cheapens the move, and the complete lack of emotional investment this early in the match gives the RKO zero pop. To make matters worse, Triple H gets up and hits Orton with the Pedigree. So, what was the point of that? To show that they can hit each other with their finishers? We already know that; it didn’t need to be established. By shooting your biggest bullet right at the get-go, it’s going to be harder to build from this point on.
To prove my point, we’re not two minutes into the match, and already they’re writhin in pain on the ground. I need momentum, not carnage! Hunter begins to attack Orton outside the ring, but then inexplicably stops for another couple minutes so Orton can roll back in the ring. Seriously, there is just no speed here after the opening. They finally start to try and get things done by Hunter throwing Orton around into the ringpost, which leads to a great (rare) moment of Orton showing some character. In pain from the attack, he puts out his hands pleadingly and says, “Wait!” It’s a great classic heel thing to do. But, sadly, it leads to another moment of stillness. Triple H kicks him in the head, then proceeds to punch him some more, and I realize that the little action we’ve had thus far has just been Triple H punching Orton in between long gaps of dead air. There is just no momentum or speed here, and the pacing is completely off, with extended and unnecessary delays between attacks. Orton is putting up no fight, and so all we have is Trips throwing a few punches when he feels like it, and Orton taking it like a trooper.
Orton finally gets a shot in by whipping Hunter into the ring steps, which leads to more writhing in pain and more standing around. In a storyline with this much anger written in, I should not be compelled to yell “Do something!” Sadly, this is exactly what is happening, as we’re already going for a fake count out on Triple H, who manages to roll back into the ring, and we get the ever interesting Orton-stomp. Yes, that’s what this match needed: more one sided beatdowns with very little back and forth. Oddly, though, Orton is better at keeping his beatdowns at a quicker pace than Hunter’s, with shorter gaps in between stomping. It’s sad that I’m counting this as a plus.
Finally, finally, we get a counter with Triple H hitting Orton with a back suplex, and then getting hit himself with a scoop slam. And then… headlocks. Because actually having moves occurring in a wrestling match is just silly. And then some more punches. Honestly, guys, can we try and put up a fight? They do eventually trade standing punches, which are always fun, and we finally get some movement in the ring, with a few Irish Whips, resulting in Triple H hitting the high knee and the face buster, before Orton rallies and catapults Trips into the turnbuckle. Thank you for actually giving signs of life. Triple H sets up for a superplex, which Orton sneaks out of and drops Hunter’s chin on the turnbuckle. Orton then tries to jump from the top rope, but Trips puts his legs up and kicks Orton in the face, eventually leading to an exchange of roll ups. This is an odd case of doing a match completely backwards: you’re supposed to start with the technical moves to build momentum, then go to staggering to emphasize pain, and then hit the finishers. Did the script print out wrong or what?
True to form, the longer we go, the more interesting this is getting. Triple H hits the spinebuster, teases a Pedigree, which Orton counters into a backbreaker for a two count. We’re getting exciting moves, good counters, signs of life from the wrestlers, and momentum is built. Why was this not done at the beginning of the match when I still cared? Even with Orton catching a jumping Triple H with a dropkick doesn’t get as big a response as I’d usually give it, simply because my interest was killed early on. Which is a pity, because if you cut out the first chunk of this match and start with the actual wrestling occurring in the ring now, this is a good match with a lot of counters and moves which has been almost uninterrupted by long delays. Not to mention that it’s capped off with Triple H blocking Orton’s punt by grabbing the leg, and flipping him out of the ring, a story-moment that is made better by Orton’s rare facial expressions showing shock that his best weapon against Hunter’s family has just been countered. And now, with Orton outside the ring, and with the audience now impressed with the wrestling that has occurred, you could have plugged in all of the more methodical stuff from earlier in, and everything would be fine. This match is like a puzzle that’s been put together wrong: all the right pieces are there, but it’s just not been connected in the right fashion.
Now on the outside of the ring, Triple H threatens to brain Orton with one of the monitors, but is reminded that if he gets DQ’d, he loses the title. The threat here is a bit mistimed: there’s no intensity behind it, and we all know good and well he’s not going to do it. The better tease comes when he threatens to Pedigree Orton through the announce table, which Orton counters with a backdrop to flip Triple H onto the next table. I notice that the ref isn’t counting either of them out, which is odd, considering what a DQ means to both of these men. After a disproportionate amount of time, the ref clues in, and starts counting, but then stops after Orton DDTs Triple H on the floor. Once Orton rolls back in the ring, he starts his count anew. Pretty sure that’s not how count outs works. Trips manages to roll back in the ring to beat the ten count, which we all knew he would, but at least it was timed better than the previous count out attempt.
Orton apparently cannot believe that Trips made it back in, and proceeds to stomp on Triple H. I swear that I’ve seen this exact sequence before… Seriously, even the camera angle was the same from earlier on. The difference here is that this stomping session is much, much longer, and it’s every bit as exciting as you’d think it is, IE, not at all. I think if you cut out the beginning and climax of this match, and just kept the middle part, we’d all be much happier, because the middle was where all the substance was, and everything else has been filler. Orton throws Trips into the ref intentionally to presumably do something shady, but then RKOs Triple H. That’s fine and well, but why would you take out the ref in order to hit your finisher when there’s no one to count the pin fall? Not very good planning, and another misuse of the finisher. Did he hit it just because he wanted to, or did he not think that getting a pin fall was a good idea, or did he just really hate the referee, or what?
At any rate, Orton goes under the ring and brings out the iconic sledgehammer, which at least gives the ref bump some meaning, if not fixing the timing or initial intent. And then, as Orton goes into the ring, Triple H bursts forward and punts him in the head. Generally, I’m not a fan of irony, but I think it works here: Orton thinks he’s going to be able to use Hunter’s greatest weapon against him, and winds up on the receiving end of his own. It’s made better given how long this story has been built up, and with how the punt o’ doom has been pushed as an atomic bomb. But then we get to the part where I have a problem with this match: Triple H picks up the hammer and drills Orton with it, but because the ref didn’t see it, he’s not disqualified. Now, I get the whole justification angle they’re going for here, but the whole point of the stipulation was that Triple H had to win fair and square, and had to fight against temptation in order to be the bigger man. Now he just cheated, showed that he doesn’t have the self-control needed, and gets away with it on a technicality. He hasn’t proven anything here at all, and if anything, is still on the same level of Orton, who was also going to cheat. I really don’t care for how this portrays Triple H: I know he’s not supposed to be squeaky clean, but in a storyline where you seem to have definite hero and villain roles, you’re not as free to lapse into grey. Not to mention all the payback and justification moment you needed came with the punt. The hammer shot just feels unnecessary and weak.
Speaking of weak: the ending. After the hammer shot, there’s a good thirty seconds of Triple H just punching Orton, before lifting him up for the Pedigree, getting the pinfall. The problem is that there was absolutely no momentum leading up to the move: there was a lot of dead air in between the moment of drama and tension and the actual conclusion. The height of action came after the punt, and the Pedigree should have followed immediately while we were all excited. As it stands, the move kind of just came after a minute of plodding, and didn’t have the same emotional impact as it should have.
So that was our main event for Wrestlemania 25. I’ve more or less already said what I think about it: the middle part was the best. There was some decent wrestling with a lot of counters, the pacing was good, the drama was there, and it was a much better performance from Orton than I usually get. But the beginning and ending of the match were just dull, plodding, unmotivated, and nothing to write home about. For such a good storyline, this was a weak way to cap it off.
But, as a whole, I greatly enjoyed Wrestlemania 25. It had its hits and misses, but I think there was more good than bad. Granted, the Santina episode still makes me want to smack my head in disbelief, but most everything else holds up. The Money in the Bank match was one of, if not /the/, best; Jericho’s throwaway match was a pleasant surprise; the Hardys put on a good hardcore match clinic; I can appreciate the JBL sendoff, even if I don’t like it; Shawn Michaels and the Undertaker is one of the best ever; the Triple Threat was all right for what it was; and the WWE Title match, while flawed on two ends, at least had a very good middle portion and a storyline that makes me a little more forgiving.